O hilário “Do Not Expect Too Much Of The End Of The World” é uma aula de montagem – @4 Proof Film

RODRIGO FONSECA
Apesar de uma significativa debandada de espectadoras/es impacientes com 2h40 de acidez em estado bruto, “Do Not Expect Too Much Of The End Of The World”, o primeiro longa do romeno Radu Jude depois do Urso de Ouro dado a “Má Sorte no Sexo Ou Pornô Acidental” (2021), tem despertado rasgados elogios da crítica, mesmo sem unanimidade. É cheio de gorudinhas, esticado à exaustão e demasiadamente sacal em seu trechinho final (documental). Mas é de uma ousadia sem fim. É um complexo (e riquíssimo) estudo de personagem feito a partir do cotidiano de uma produtora de cinema, Angela (Ilinca Manolache, hilária), que busca personagens para um vídeo sobre acidentes de trabalho. Ela tem uma espécie de avatar: um alter ego machista, fã de palavrões, a quem encarna em vídeos curtinhos para suas redes sociais. Durante a triagem que promove, ela esbarra com figuras que tiveram seu cotidiano maculado por tragédias laborais, agravadas pelo descaso do Estado. Há uma sequência (bem longa) na qual Jude filma cruzes de vítimas de acidentes rodoviários, alternando uma série de monumentos a mortos. Exagera na reiteração, mas solta sua imaginação no jogo com imagens de arquivo que denunciam o sexismo de sua pátria. Sua edição é delirantemente inventiva e vívida. Já há quem fale dele como”O” ganhador do Leopardo de Ouro de 2023, mas o resultado só sai no sábado.

O cineasta romeno em palestra no festival suíço @LIFF

Fundado em 1946, Locarno só passou a atribuir o Leopardo de Ouro a partir de 1968. Mas teve sempre a tradição de laurear bem seus eleitos. Confira a seguir a lista de todos os filmes que saíram do festival suíço com sua láurea mais cobiçada:

2022 Regra 34 (Rule 34) by Julia Murat (Brazil/France)

2021 Seperti Dendam, Rindu Harus Dibayar Tuntas (Vengeance Is Mine, All Others Pay  Cash) by Edwin (Indonesia, Singapore, Germany)

2019 Vitalina varela by Pedro Costa (Portugal)

2018 A Land Imaginedby YEO Siew Hua (Singapore, France, Netherlands)  2017 Mrs. Fangby WANG Bing (France/China/Germany)

2016 Godless by Ralitza Petrova (Bulgaria/Denmark/France)

2015 Jigeumeun matgo geuttaeneun teullida (Right Now, Wrong Then) by HONG  Sangsoo (South Korea)

2014 Mula sa kung ano ang noon (From What is Before) by Lav Diaz (Philippines)  2013 Historia de la meva mort by Albert Serra (Spain/France)

2012 La fille de nulle part by Jean-Claude Brisseau (France)

2011 Abrir Puertas y Ventanas (Back to Stay) by Milagros Mumenthaler (Argentina,  Switzerland)

2010 Han Jia (Winter Vacation) by LI Honqi (China)

2009 She, A Chinese by Xiaolu GUO (United Kingdom)

2008 Parque Via by Enrique Rivero (Mexico)

2007 Ai no yokan (The Rebirth) by Masahiro Kobayashi (Japan)

2006 Das Fräulein by Andrea Staka (Switzerland)

2005 Nine Lives by Rodrigo García (USA)

2004 Privateby Saverio Costanzo (Italy)

2003 Khamosh Pani (Silent Waters) by Sabiha Sumar (Pakistan/France/Germany) 2002 Das Verlangen by Iain Dilthey (Germany)

2001 Alla rivoluzione sulla due cavalli by Maurizio Sciarra (Italy)

2000 Baba (Father) by Wang Shuo (China)

1999 Peau d’homme, cœur de bête by Hélène Angel (France)

1998 Zhao Xiansheng (Mr. Zhao) by Lü Yue (China)

1997 Ayneh (The Mirror) by Jafar Panahi (Iran)

1996 Nénette et Boniby Claire Denis (France)

1995 Raï by Thomas Gilou (France)

1994 Khomreh (The Jar) by Ibrahim Foruzesh (Iran)

1993 Azghyin ushtykzyn’azaby by Ermek Shinarbaev (Kazakhstan)

1992 Qiuyue (Autumn Moon) by Clara Law (Chuck-Yiu) (Hong-Kong)

1991 Johnny Suede by Tom Di Cillo (USA)

1990 Sluchainij Vals by Svetlana Proskurina (Russia)

1989 Dharmaga tongjoguro kan kadalgun? (Why Has Bodhi-Dharma Left for the East?

0

A Zen Fable) by Young-Kyun Bae (South Korea)

1988 Golden Leopard ex aequo:

Distant Voices, Still Lives by Terence Davies (UK)

Schmetterlingby Wolfgang Becker (Germany)

1987 O Bobo by José Alvaro Morais (Portugal)

1986 Jezioro Bodenskie (Sons and Comrades) by Janusz Zaorski (Poland) 1985 Höhenfeuer by Fredi M. Murer (Switzerland)

 

1984 Stranger than Paradise by Jim Jarmusch (USA)

1983 Adj király katonat (The Princess) by Pal Erdöss (Hungary)

1982 The official jury decides not to confer any official award but only four mentions:   Traveller by Joe Comerford (Ireland)

Panelkapcsolat (The Prefab People) by Bela Tarr (Hungary)

Les Jocondes by Jean Daniel Pillault (France)

Quartetto Basileus by Fabio Carpi (Italy)

1981 Chakra by Rabindra Dharmaraj (India)

1980 Maledetti vi amerò by Marco Tullio Giordana (Italy)

1979 Sürü (The Herd) by Zeki Okten (Turkey)

1978 I tembelides tis eforis kiladas (The Slothful Ones of the Fertile Valley) by Nikos  Panayotopoulos (Greece)

1977 Antonio Gramsci, i giorni di carcere by Lino Del Fra (Italy)

1976 Le grand soir by Francis Reusser (Switzerland)

1975 Le fils d’Amr est mort by Jean-Jacques Andrieu (Belgium)

1974 Tuzolto utca 25 by István Szabo (Hungary)

1973 Iluminacja by Krzysztof Zanussi (Poland)

1972 Bleak Moments by Mike Leigh (UK)

1971 Golden Leopard for the best first features:

In punto di morte by Mario Garriba (Italy)

Hanno cambiato faccia by Corrado Farina (Italy)

Les amis by Gérard Blain (France)

Golden Leopard for the best second features:

Private road by Barney Platts-Mills (UK)

Znaky na drodze byAndrzej Piotrovsky (Poland)

1970 Golden Leopard ex aequo:

The End Of The Road by Aram Avakiam (USA)

Soleil O by Med Hondo (France/Mauritania)

Lilikaby Branko Plesa (Yugoslavia)

Mujo (The Transient Life) by Akio Jissoji (Japan)

1969 Golden Leopard unanimously:

Charles mort ou vif by Alain Tanner (Switzerland)

Golden Leopard by majority:

V ogne broad net (No Path Through Fire) by Gleb Panfilov (Russia)  Tres tristes tigresby Raul Ruiz (Chile)

Szemüvegesek (Those who Wear Glasses) by Sandor Simò (Hungary)  1968 Golden Leopard: (** )

I Visionari by Maurizio Ponzi (Italy)

1967 Grand Prize awarded by the Youth Jury: (*)

Terra em transe by Glauber Rocha (Brazil)

1966 Grand Prize awarded by the Youth Jury: (*)

Kazdy den odvahu (Courage for Every Day) by Ewald Schorm (Czech Republic) 1965 Golden Sail:

Four in the morningby Anthony Simmons (UK)

1964 Golden Sail:

Cerny Petr (Black Peter) by Milos Forman (Czech Republic) 1963 Golden Sail:

Transport z raje by Zbnek Brynych (Czech Republic)

1962 Golden Sail:

Un cœur gros comme çaby François Reichenbach (France) 1961 Golden Sail:

Nobiby Kon Ichigawa (Japon)

1960 Golden Sail:

Il bell’Antonio by Mauro Bolognini (Italy)

1959 Award for the Best Direction:

Killer’s Kiss by Stanley Kubrick (USA)

1958 Golden Sail:

Ten, North Frederick by Philip Dunne (USA)

1957 Prize awarded by the Jury of the Swiss Association of Film  Journalists: (*)

Il grido by Michelangelo Antonioni (Italy)

Prize awarded by the Jury of the Swiss-Italian Radio: (*)

The Young Stranger by John Frankenheimer (USA)

1956 The Festival does not take place.

1955 Prizes awarded by the Jury of the Swiss-Italian Radio: (*)

Le rossignol et l’empereur de Chineby Jirì Trnka (Czech Republic)   Carmen Jones by Otto Preminger (USA)

1954 Prizes awarded by the International Critic’s Jury: (*)

Jigoku mon (Gate of Hell) by Teinosuke Kinugasa (Japan)   Rotation by Wolfgang Staudte (Germany)

Le mouton à cinq pattes by Henri Verneuil (France)

1953 Prizes awarded by the International Critic’s Jury, ex aequo: (*)

Julius Caesar by David Bradley (USA)

Kompositor Glinka (Man of Music) by Grigori Aleksandrov (Russia)

The Glass Wall by Maxwell Shane (USA)

1952 Prize awarded by the International Jury of the Press: (*)

Hunted by Charles Crichton (UK)

1951 The Festival does not take place.

1950 Prize awarded by the International Jury of the Press: (*)

When Willie comes marching home by John Ford (USA)

1949 Grand Prize:

La ferme des sept péchés by Jean Devaivre (France)

1948 Grand Prize: (*)

Germania anno zero by Roberto Rossellini (Italy)

1947 Best film: (*)

Le silence est d’or by René Clair (France)

1946 Best film: (*)

And then there were noneby René Clair (USA)